Item(s) added to shopping bag.
And we’d love to read your story! Here’s how you can submit to us:
This is the best advice we can give for finding your favourite Mills & Boon series and the one you want to write for.
Now read the writing guidelines for that series to find out exactly what we’re looking for.
The editors have written guidelines that reflect the key promises of each series but do remember there is no formula for writing a publishable romance!
One more thing… We have three acquiring offices in the company, so do make sure your submission goes to the right place!
HOW TO WRITE THE PERFECT ROMANCE!
Before you put finger to keyboard, preparation is key:
If you’d like to write for Mills & Boon, we’d expect you to enjoy reading romance fiction. If you are already a fan, this will really shine through in your writing. Know and respect your readers - choose the most recent novels and read widely across the romance market. Then target the series/genre that excites you and suits your voice.
Remember that reading is an emotional experience so write from the heart! When you put pen to paper (or finger to keyboard), do so because you have something to share with other readers.
Innovate, don't imitate! There is no formula - only a format, as with all genre fiction, which allows room for creative expression, unique writing voices and memorable characters. So throw those clichés out of the window!
Romancing the reader: why we ♥ the perfect romance I ♥ my characters: At the heart of all great romances are two strong, appealing, sympathetic and three-dimensional characters.I ♥ my conflict: Emotional, character-driven conflict is the foundation of a satisfying romance. Conflict spawns tension and excitement.
There are two types of conflict: internal and external: Internal conflict should be the writer's main focus: defined by either character - the opposing forces within a personality, motivations and aspirations - or by an emotional situation within a relationship - for example, an unexpected pregnancy or an arranged marriage. External conflict should only be brought in as additional support to the developing romance and plot. External conflict is defined by misunderstandings, circumstances or a secondary character's influence.
Check that your conflict is believable and that it can be sustained over the course of a whole book - ideally two or three conflicts that unfold and are resolved in the course of the story work best. Conflict doesn't mean endless arguments; layer it with emotional highs and lows. All the best stories have stormy weather and sunny days.
I ♥ dialogue! It's the key tool to giving life, energy and pace to your writing. Great dialogue can propel your story; bad dialogue can grind it to a halt. Remember to keep it relevant and consistent to your characters.
I don't like secondary characters - use with caution! You're writing a romance, readers are interested in your hero and heroine so keep the focus on them.
How to keep your spirits up: We receive thousands of submissions so competition is tough. If the writing does not show potential a standard response will be sent - this is the case with most submissions.
If you do receive feedback it is intended constructively and is a vital part of the writing process. Take time to digest any criticism, then apply it to your next submission.
What we want in a nutshell.. Talented, dedicated authors who are savvy about the romance genre and its readers. Unique, fresh voices, compelling characters and innovative stories that will keep readers turning the pages!
We are now taking submissions via the online system Submittable. To submit to any of our series go to https://harlequin.submittable.com/submit where you can view the guidelines and select which series you are aiming for.
Top tips for using Submittable:
Please note the following information: